Team:Paris Saclay/Ethics/Interviews
From 2014.igem.org
Contents |
Interviews of experts
Introduction
We interviewed some experts about the link between science and art, bioart and more precisely about questions our project raise. We questioned a diverse community of scientist, sociologist, artist and professor of ethic.
Experts
Therese BICHON as "the artist"
Thérèse Bichon is an artist living in Paris. She has studied and put into practice: the history of art and archeology in 1980, the nursing home: 1982, 1986 carpentry, landscaping 1998, architecture 2007.Wondering about the opportunities that society could offer to develop her love of creation, nature and human, she alternately or simultaneously turned to the world of work, studies and that of creation.
Alexei GRINBAUM as "the scientist"
Alexei Grinbaum is a researcher at the LARSIM laboratory in the CEA-Saclay near Paris about the Foundations of physics. He belongs to the Cerna (commission de réflexion sur l’éthique de la recherche en sciences et technologies du numérique or ethic committee about science research and numeric technology) of Allistene. He is also a member of the synthetic biological committee. Since 2003, he is interested on ethical and social questions in correlation with new technologies. His recent work is about synthetic biology and especially the definition of life in an ethical and historical context.
Emmanuel HIRSCH as "the ethics expert"
Emmanuel Hirsch is a well-known person in the ethics sphere. Indeed, he is a medical ethics teacher in the medical university Paris-Sud 11 and director of the department of research ethics in that university. He received the Legion of Honor and the title of Knight of Arts and Letters.
Morgan MEYER as "the sociologist"
Morgan Meyer is a lecturer and researcher at Agro ParisTech and had been involved in the Science in Society (SenS), one unit of INRA (Institut national de la recherche agronomique). He holds a master in biology, a PhD in sociology and he has been a postdoc at the Department of Sociology at the University of Sheffield and at the Centre for the Sociology of Innovation at Mines ParisTech.
General questions about art and science
According to you, what is the link between art and science?
Therèse: To my mind, the artist has to be careful about the audience and the purpose of his work. With the scientific work it is not the same. The scientific wants to answer to a special question, improve a system or create a new technology. The aim of audience and judgement is not equal. These two domains should be in parallel and not in opposition. Science may change Art and Art may improve the impact of science on a public.
Alexei: With the notion of Science there is also the notion of usefulness, but the purpose could be diverse: to prove that we can do it, to improve a mechanism, or to progress the knowledge. Art is beautiful but useless. The aim is different, we want to raise a question or just to make an artistic work.
Can it be a real collaboration between the artist and the scientist?
Morgan: I think that there are every kind of collaboration. The scientific only used as a technical support, or the scientist who makes a real reflexion about his work. About reactions, every kind of reaction can also be find. Some scientists, who are sceptical about art, may say that there is no precise purpose, and that will not change science. Though collaboration between scientists and artists we can have a global view about what life is.
Thérèse: Art allows to underline the link between science and reality. Because scientists are often individualistic, art open a new window on their research and make them aware about potentially danger.
Audience/Purpose/technic
Bioart point of view
What is the main goal of Bioart?
What do you think about using living being in a artistic purpose?
Does a hierarchy of organism exist according to you? Is it the same to use a bacteria or a rabbit?
Living or non-living, natural or artificial, reel or fake?
What are the limits of living being?
Can we find special skills that specify living being?
How does synthetic biology challenge this definition?
How does our project raise this question?