"
Team:Paris Saclay/Project/Inspirations
From 2014.igem.org
(Difference between revisions)
m (→R. Magritte (1898-1967), La trahison des images (1929)) |
(→Inspirations) |
||
| (6 intermediate revisions not shown) | |||
| Line 3: | Line 3: | ||
=Inspirations= | =Inspirations= | ||
| - | Even though many works have guided our artistic reflection, we chose to focus on | + | Even though many works have guided our artistic reflection, we chose to focus on 2 works which are representative of our main lines: |
==[https://2014.igem.org/Team:Paris_Saclay/Project/Inspirations/Magritte R. Magritte (1898-1967), La trahison des images (1929)]== | ==[https://2014.igem.org/Team:Paris_Saclay/Project/Inspirations/Magritte R. Magritte (1898-1967), La trahison des images (1929)]== | ||
| Line 13: | Line 13: | ||
==[https://2014.igem.org/Team:Paris_Saclay/Project/Inspirations/Vanity Vanity, through a Pieter Claesz’s (1596-1661) painting (1630)]== | ==[https://2014.igem.org/Team:Paris_Saclay/Project/Inspirations/Vanity Vanity, through a Pieter Claesz’s (1596-1661) painting (1630)]== | ||
| - | [[File:Paris_Saclay_Vanite.png|200px|left]]By frankly evoking leak of time, the ephemeral hallmark of life and the place of Humanity in the universe, Vanity fit directly in our efforts to define life. | + | [[File:Paris_Saclay_Vanite.png|200px|left]]By frankly evoking leak of time, the ephemeral hallmark of life and the place of Humanity in the universe, [https://2014.igem.org/Team:Paris_Saclay/Project/Inspirations/Vanity Vanity] fit directly in our efforts to define life. |
''(source of inspiration for the ethical part, the problematic of living thing’s definition has been mentioned within the team and during different meetings such as « curiositas ».)'' | ''(source of inspiration for the ethical part, the problematic of living thing’s definition has been mentioned within the team and during different meetings such as « curiositas ».)'' | ||
| - | |||
| - | |||
| - | |||
==Additional references== | ==Additional references== | ||
| Line 26: | Line 23: | ||
===Plato, Allegory of the Cave=== | ===Plato, Allegory of the Cave=== | ||
| - | This allegory proposed by Plato explains in illustrated terms human conditions of access to knowledge and reality. | + | [[File:Paris_Saclay_project-inspiration4.jpg|100px|left]]This allegory proposed by Plato explains in illustrated terms human conditions of access to knowledge and reality. |
===Four seasons, Arcimboldo (1527-1593)=== | ===Four seasons, Arcimboldo (1527-1593)=== | ||
| + | [[File:Paris_Saclay_project-inspiration3.jpg|100px|left]]Usage of fruits (so living things) in order to talk about immortality and flatter human genus. (glorification of the Habsburg line, immutable like the seasons). | ||
| + | |||
| - | |||
{{Team:Paris_Saclay/default_footer}} | {{Team:Paris_Saclay/default_footer}} | ||
Latest revision as of 03:33, 18 October 2014
Contents |
Inspirations
Even though many works have guided our artistic reflection, we chose to focus on 2 works which are representative of our main lines:
R. Magritte (1898-1967), La trahison des images (1929)
(source of inspiration for the title of our project just as our videos)
Vanity, through a Pieter Claesz’s (1596-1661) painting (1630)
(source of inspiration for the ethical part, the problematic of living thing’s definition has been mentioned within the team and during different meetings such as « curiositas ».)
Additional references
The following may interest the more curious visitors of our wiki.
Plato, Allegory of the Cave
Four seasons, Arcimboldo (1527-1593)
