Team:Paris Saclay/Project/Inspirations

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=Inspirations=
=Inspirations=
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Even though many works have been guiding our artistic reflexion, we chose to focus on 4-3 (ça dépend si on arrive à tout traduire à temps) works which are representative of our main lines :
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Even though many works have guided our artistic reflection, we chose to focus on 2 works which are representative of our main lines:
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==R. Magritte (1898-1967), La trahison des images (1929)==
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==[https://2014.igem.org/Team:Paris_Saclay/Project/Inspirations/Magritte R. Magritte (1898-1967), La trahison des images (1929)]==
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The surrealist belgian artist displays through his work the duality of image, between truth and decoy. His art also embodys a real legacy for advertising of the 20th century.
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[[File:Paris_Saclay_Magritte.png|200px|left]] [https://2014.igem.org/Team:Paris_Saclay/Project/Inspirations/Magritte Magritte], the Surrealist Belgian artist displays through his work the duality of image, between truth and decoy. His art also embodies a real legacy for advertising of the 20th century.
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(source of inspiration for the title of our project just as our videos)
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''(source of inspiration for the title of our project just as our videos)''
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==Vanity, through a  Pieter Claesz’s (1596-1661) painting (1630)==
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==[https://2014.igem.org/Team:Paris_Saclay/Project/Inspirations/Vanity Vanity, through a  Pieter Claesz’s (1596-1661) painting (1630)]==
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By frankly evoking leak of time, the ephemeral hallmark of life and the place of Humanity in the universe, Vanity fit directly in our efforts to define life.
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[[File:Paris_Saclay_Vanite.png|200px|left]]By frankly evoking leak of time, the ephemeral hallmark of life and the place of Humanity in the universe, [https://2014.igem.org/Team:Paris_Saclay/Project/Inspirations/Vanity Vanity] fit directly in our efforts to define life.
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(source of inspiration for the ethical part, the problematic of living thing’s definition has been mentioned within the team and during different meetings such as « curiositas ».)
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''(source of inspiration for the ethical part, the problematic of living thing’s definition has been mentioned within the team and during different meetings such as « curiositas ».)''
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==Platon, Allegory of the Cave==
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==Additional references==
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This allegory proposed by Pllaton explains in illustrated terms access conditions for human to knowledge and reality.
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The following may interest the more curious visitors of our wiki.
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(source of inspiration for our primary sculpture + connection with Magritte’s works  +  link with our work about image, interpretations and transmission of a message )
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===Plato, Allegory of the Cave===
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==Four seasons, Arcimboldo (1527-1593)==
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[[File:Paris_Saclay_project-inspiration4.jpg|100px|left]]This allegory proposed by Plato explains in illustrated terms human conditions of access to knowledge and reality.
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Usage of fruits (so living things) in order to talk about immortality and flatter human genus. (glorification of Habsbourg’s line, immutable such as seasons).
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===Four seasons, Arcimboldo (1527-1593)===
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[[File:Paris_Saclay_project-inspiration3.jpg|100px|left]]Usage of fruits (so living things) in order to talk about immortality and flatter human genus. (glorification of the Habsburg line, immutable like the seasons).
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(source of inspiration for our object of study : a fruit, a lemon + ethique : reflexion about leak of time, anthropocentrism, power.)
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==Countdown==
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This page is under '''Leïla''''s responsibility
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* Deadline: 08/oct.
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** Completed text.
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* Deadline: 12/oct
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** Final review Alice.
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Latest revision as of 03:33, 18 October 2014

Contents

Inspirations

Even though many works have guided our artistic reflection, we chose to focus on 2 works which are representative of our main lines:

R. Magritte (1898-1967), La trahison des images (1929)

Paris Saclay Magritte.png
Magritte, the Surrealist Belgian artist displays through his work the duality of image, between truth and decoy. His art also embodies a real legacy for advertising of the 20th century.

(source of inspiration for the title of our project just as our videos)

Vanity, through a Pieter Claesz’s (1596-1661) painting (1630)

Paris Saclay Vanite.png
By frankly evoking leak of time, the ephemeral hallmark of life and the place of Humanity in the universe, Vanity fit directly in our efforts to define life.

(source of inspiration for the ethical part, the problematic of living thing’s definition has been mentioned within the team and during different meetings such as « curiositas ».)

Additional references

The following may interest the more curious visitors of our wiki.

Plato, Allegory of the Cave

Paris Saclay project-inspiration4.jpg
This allegory proposed by Plato explains in illustrated terms human conditions of access to knowledge and reality.

Four seasons, Arcimboldo (1527-1593)

Paris Saclay project-inspiration3.jpg
Usage of fruits (so living things) in order to talk about immortality and flatter human genus. (glorification of the Habsburg line, immutable like the seasons).